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Sunday, November 1, 2026
Marcel Duchamp’s Fountain (1917/1964) transformed an ordinary porcelain urinal into a provocative work of conceptual art. Signed “R. Mutt” and rejected from a New York exhibition in 1917, the work challenged traditional ideas about artistic creation, emphasizing concept and context over physical craftsmanship
Andy Warhol’s Brillo Boxes, produced between 1963 and 1969, are life-size wooden replicas of commercial Brillo cartons that explore consumer culture, mass production, and the boundary between everyday objects and fine art
A man stands in a gallery, admiring a large abstract painting and engaging with its artistic expression
Fountain (1917/1964), Marcel Duchamp’s famous readymade, consists of a porcelain urinal turned on its side and signed “R. Mutt.” Its controversial presentation challenged conventional definitions of art by shifting attention from artistic craftsmanship to the power of selection, context, and idea
Brillo Boxes is a series of sculptures created by Andy Warhol between 1963 and 1969, using painted and silkscreened wooden replicas of commercial packaging to challenge traditional distinctions between consumer products and art

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