Foam 3h presents Tones of the ecotone, a collaborative exhibition by Finn Maätita (NL, 1998) and Jerrold Saija (NL, 1996). The exhibition honors the ‘ecotone’ – the transition zone between two ecosystems, such as between land and water – and connects this with the artists' Moluccan roots and the diaspora. The central focus is on the sago palm, the basis of the staple diet on the Moluccas, as a symbol of Moluccan ecological and physical omnipresence.

Maätita and Saija give thought to the experience of the Moluccan body as an extension of the Moluccan landscape, emphasizing the intersection of ecology, ancestral knowledge, and physicality. In this way, they create a new ‘shelter’: a warm, harmonious space that offers new possibilities for the future.

The exhibition Tones of the ecotone offers an immersive, playful and pluriform audiovisual landscape. Combining ancient wisdom, photography, assemblage, and media technologies, they express the relationship and overlap between humans, nature and ancestral knowledge. In the exhibition, images and sounds merge: the heartbeat of the artists, the rhythmic beats of the Moluccan tifa, the pounding of sago palm into sago flour, the preparation of papeda, the sound guidance of gaba-gaba sticks and the melodies of the suling gaba. The exhibition itself becomes a living ecotone, a meeting place for the Moluccan diaspora, where generations, knowledge and media merge into a new ecological whole.

The exhibition Tones of the ecotone serves as a metaphorical homecoming of the Moluccan diaspora, presented in the heart of the Amsterdam’s canal belt: a place intrinsically linked to the violent exploitation, destruction and forced displacement of nature and communities.

The exhibition is curated by guest curator Zippora Elders Tahalele, who invited the artists to Foam 3h. Like the artists, Elders has Moluccan roots and focuses in her curatorial practice on, among other things, collectivism and ecological restoration.