Cabaret Crusades is an ongoing project, initiated by the Egyptian artist Wael Shawky in 2010, that tells the story of the Crusades—the military expeditions to the Holy Land undertaken by European Christians from the eleventh to the thirteenth century—through images that reflect the perspective of those who experienced the invasions. Informed by Amin Maalouf's book The Crusades Through Arab Eyes, the drawings, objects, and films that make up the project draw on various historical sources to present an unfolding sequence of significant occurrences that set the tone for the relationship between the Arab world and the West. The Hammer Museum will present Cabaret Crusades: The Horror Show File (2010), which is the first film of Shawky's multipart film series within this project. Using 200-year-old marionettes from the Lupi collection in Turin as characters, the film traces the history of the early Crusades (1096–99), beginning with Pope Urban II's invasion of the Arab countries. Historically accurate in its depiction of the places in the Middle East and Europe that set the stage for this conflict, the film is layered with a surreal and mythical atmosphere as the marionettes embody key figures whose past actions and decisions continue to impact our current moment. Hammer Projects: Wael Shawky is organized by guest curator Cesar Garcia.
Wael Shawky was born in 1971 in Alexandria, Egypt, where he lives and works today. He studied fine art at the University of Alexandria before receiving his MFA from the University of Pennsylvania in 2000. His work has been included in major international exhibitions, including the 2013 Sharjah Biennial; Documenta 13, Kassel, Germany (2012); the ninth Gwangju Biennial, Gwangju, South Korea (2012); the SITE Santa Fe Biennial (2008); the ninth International Istanbul Biennial (2005); and the fiftieth Venice Biennale (2003). Shawky has had solo exhibitions at the KW Contemporary Art Institute, Berlin (2012); Nottingham Contemporary, Nottingham, England (2011); the Walker Art Center, Minneapolis (2011); the Delfina Foundation, London (2011); Cittadellarte-Fondazione Pistoletto, Biella, Italy (2010); Townhouse Gallery, Cairo (2005, 2003); and other venues. He has received various awards, including the Award for the Filmic Oeuvre created by Louis Vuitton and Kino der Kunst (2013); Abraaj Capital Art Prize (2012); Kunstpreis der Schering Stiftung (2011); and the Grand Prize, 25th Alexandria Biennale, Alexandria, Egypt (2009). In 2011 he was an artist-in-residence at the Center for Possible Studies, Serpentine Gallery, London. Shawky is the founder of MASS Alexandria, a studio program for young artists.
Hammer Projects is a series of exhibitions focusing primarily on the work of emerging artists.
Hammer Projects is made possible by a major gift from The Horace W. Goldsmith Foundation.
Generous support is provided by the Los Angeles County Board of Supervisors through the Los Angeles County Arts Commission and Susan Bay Nimoy and Leonard Nimoy. Additional support is provided by Good Works Foundation and Laura Donnelley; the Department of Cultural Affairs, City of Los Angeles; the Decade Fund; and the David Teiger Curatorial Travel Fund.
The Hammer Museum, a public arts unit of the University of California, Los Angeles, is dedicated to exploring the diversity of artistic expression through the ages. Its collections, exhibitions, and programs span the classic to the cutting-edge in art, architecture, and design, recognizing that artists play a crucial role in all aspects of culture and society.
The museum houses the Armand Hammer Collection of Old Master, Impressionist, and Post-Impressionist paintings and the Armand Hammer Daumier and Contemporaries Collection. The Hammer’s newest collection, the Hammer Contemporary Collection, is highlighted by works on paper, particularly drawings and photographs from Southern California. The museum also houses the Grunwald Center for the Graphic Arts, comprising more than 45,000 prints, drawings, photographs, and artists’ books from the Renaissance to the present; and oversees the management of the Franklin D. Murphy Sculpture Garden on the UCLA campus.
The Hammer presents major single-artist and thematic exhibitions of historical and contemporary art. It also presents approximately ten Hammer Projects exhibitions each year, providing international and local artists with a laboratory-like environment to create new work or to present existing work in a new context.
As a cultural center, the Hammer offers a diverse range of free public programs throughout the year, including lectures, readings, symposia, film screenings, and music performances. The Hammer’s Billy Wilder Theater houses these widely acclaimed public programs and is the new home of the UCLA Film & Television Archive’s renowned cinematheque.