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Danh Vo. Courtesy of Guggenheim Museum
Danh Vo. Courtesy of Guggenheim Museum
Danh Vo. Courtesy of Guggenheim Museum
Danh Vo. Courtesy of Guggenheim Museum
Jackson Pollock, Ocean Greyness. Courtesy of Guggenheim Museum
Jackson Pollock, Untitled. Courtesy of Guggenheim Museum
Jackson Pollock, Untitled (Green Silver). Courtesy of Guggenheim Museum
Jackson Pollock: Exploring Alchemy. Courtesy of Guggenheim Museum
Installation view: Guggenheim Collection: Brancusi. Photo: David Heald
Installation view: Guggenheim Collection: Brancusi. Photo: David Heald
Installation view: Guggenheim Collection: Brancusi. Photo: David Heald
Installation view: Guggenheim Collection: Brancusi, Solomon R. Guggenheim Museum, New York, Ongoing. Photo: David Heald
Thannhauser Collection, Exhibition view. Courtesy of Guggenheim Museum
Thannhauser Collection, Exhibition view. Courtesy of Guggenheim Museum
Thannhauser Collection, Exhibition view. Courtesy of Guggenheim Museum
Thannhauser Collection, Exhibition view. Courtesy of Guggenheim Museum
Josef Albers in Mexico, Exhibition view. Courtesy of Guggenheim Museum
Josef Albers in Mexico, Exhibition view. Courtesy of Guggenheim Museum
Josef Albers in Mexico, Exhibition view. Courtesy of Guggenheim Museum
Josef Albers in Mexico, Exhibition view. Courtesy of Guggenheim Museum
Art and China after 1989. Courtesy of Guggenheim Museum
Art and China after 1989. Courtesy of Guggenheim Museum
Art and China after 1989. Courtesy of Guggenheim Museum
Art and China after 1989. Courtesy of Guggenheim Museum
Mystical Symbolism, Exhibition view. Courtesy of Guggenheim Museum
Mystical Symbolism, Exhibition view. Courtesy of Guggenheim Museum
Mystical Symbolism, Exhibition view. Courtesy of Guggenheim Museum
Mystical Symbolism, Exhibition view. Courtesy of Guggenheim Museum
Installation View: Visionaries: Creating a Modern Guggenheim, Solomon R. Guggenheim Museum, New York, February 10, 2016–September 6, 2017 Photo: David Heald © Solomon R. Guggenheim Foundation, 2017
Installation View: Visionaries: Creating a Modern Guggenheim, Solomon R. Guggenheim Museum, New York, February 10, 2016–September 6, 2017 Photo: David Heald © Solomon R. Guggenheim Foundation, 2017
Installation View: Visionaries: Creating a Modern Guggenheim, Solomon R. Guggenheim Museum, New York, February 10, 2016–September 6, 2017 Photo: David Heald © Solomon R. Guggenheim Foundation, 2017
Installation View: Visionaries: Creating a Modern Guggenheim, Solomon R. Guggenheim Museum, New York, February 10, 2016–September 6, 2017. Photo: David Heald © Solomon R. Guggenheim Foundation, 2017
Agnes Martin, Untitled #15, 1988. Courtesy of Guggenheim Museum
Agnes Martin, Exhibition view. Courtesy of Guggenheim Museum
Agnes Martin, Untitled #5, 1998. Courtesy of Guggenheim Museum
Agnes Martin, Exhibition view. Courtesy of Guggenheim Museum
Agnes Martin, White Flower, 1960. Courtesy of Guggenheim Museum
Agnes Martin, Exhibition view. Courtesy of Guggenheim Museum
Agnes Martin, Exhibition view. Courtesy of Guggenheim Museum
László Moholy-Nagy CH BEATA I, 1939 Oil and graphite on canvas, 118.9 x 119.8 cm Solomon R. Guggenheim Museum, New York, Solomon R. Guggenheim Founding Collection 48.1128 © 2015 Hattula Moholy-Nagy/VG Bild-Kunst, Bonn/Artists Rights Society (ARS), New York
László Moholy-Nagy Untitled, 1926 Photogram (gelatin silver print), 23.8 x 17.8 cm Los Angeles County Museum of Art, Ralph M. Parsons Fund © 2015 Hattula Moholy-Nagy/VG Bild-Kunst, Bonn/Artists Rights Soci- ety (ARS), New York Photo: courtesy Museum Associates/LACMA
László Moholy-Nagy B‐10 Space Modulator, 1942 Oil and incised lines on Plexiglas , 42.9 x 29.2 x 6 cm Solomon R. Guggenheim Museum, New York, Solomon R. Guggenheim Founding Collection 47.1063 © 2015 Hattula Moholy-Nagy/VG Bild-Kunst, Bonn/Artists Rights Society (ARS), New York.
László Moholy-Nagy A 19, 1927 Oil on canvas, 80 x 95.5 cm Hattula Moholy-Nagy, Ann Arbor, MI © 2015 Hattula Moholy-Nagy/VG Bild-Kunst, Bonn/Artists Rights Society (ARS), New York
Peter Fischli David Weiss, Untitled, 1994–2013 (detail), Painted polyurethane, 164 parts, overall dimensions vary with installation Solomon R. Guggenheim Museum, New York, Purchased with funds contributed by the Collections Council and through prior gifts of an anonymous donor, Mr. and Mrs. Nathan L. Halpern, and the Andrew Powie Fuller and Geraldine Spreckels Fuller Bequest 2014.115 © Peter Fischli and David Weiss. Photo: Jason Klimatsas
Peter Fischli David Weiss, Animal, 1986 (from Grey Sculptures, 1984–86/2006–08), Polyurethane, paint, and cloth, 45 x 50 x 85 cm Private collection © Peter Fischli and David Weiss. Photo: Courtesy Fischli Weiss Archive, Zürich
Peter Fischli David Weiss, Image from Airports, 1987–2012, Digital slide projection of 469 color images Glenstone © Peter Fischli and David Weiss
Peter Fischli David Weiss, Rat and Bear (Sleeping), 2008, Cotton, wire, polyester, and electrical mechanism, overall dimensions vary with installation, Jumex Collection, Mexico City © Peter Fischli and David Weiss. Photo: Courtesy Fischli Weiss Archive, Zürich
Leslie Hewitt, Riffs on Real Time (3 of 10), 2006–09, Chromogenic print, 76.2 x 61 cm, Solomon R. Guggenheim Museum, New York
Kathrin Sonntag, Mittnacht, 2008 (detail). Slide projection of 81 35 mm slides, continuous loop, dimensions variable. Solomon R. Guggenheim Museum, New York
Erica Baum, Jaws, 2008 (from the series Naked Eye) (detail). Inkjet print, 47 x 41.6 cm. Solomon R. Guggenheim Museum, New York
Sara VanDerBeek, From the Means of Reproduction, 2007. Chromogenic print, 101.6 x 76.2 cm. Solomon R. Guggenheim Museum, New York
Elad Lassry, Untitled (Woman, Blond), 2013 (detail). Chromogenic print in walnut frame with four-ply silk, 36.8 x 29.2 x 3.8 cm. Solomon R. Guggenheim Museum, New York
Moyra Davey, Les Goddesses, 2011, HD color video, with sound, 61 min. Solomon R. Guggenheim Museum, New York
Lisa Oppenheim, The Sun is Always Setting Somewhere Else, 2006. Slide projection of 15 35 mm slides, continuous loop, dimensions variable. Solomon R. Guggenheim Museum, New York
Installation view: Doris Salcedo, Solomon R. Guggenheim Museum, New York, June 26–October 12, 2015, Photo: David Heald © Solomon R. Guggenheim Foundation
Atrabiliarios (detail), 1992–2004 Shoes, drywall, paint, wood, animal fiber, and surgical thread; 43 niches and 40 boxes, overall dimensions variable, San Francisco Museum of Modern Art, Accessions Committee Fund purchase: gift of Carla Emil and Rich Silverstein, Patricia and Raoul Kennedy, Elaine McKeon, Lisa and John Miller, Chara Schreyer and Gordon Freund, and Robin Wright © Doris Salcedo
Installation view: Doris Salcedo, Solomon R. Guggenheim Museum, New York, June 26–October 12, 2015, Photo: David Heald © Solomon R. Guggenheim Foundation
Installation view: Doris Salcedo, Solomon R. Guggenheim Museum, New York, June 26–October 12, 2015, Photo: David Heald © Solomon R. Guggenheim Foundation
Installation view: Doris Salcedo, Solomon R. Guggenheim Museum, New York, June 26–October 12, 2015, Photo: David Heald © Solomon R. Guggenheim Foundation
A Flor de Piel (detail), 2014 Rose petals and thread, 1333.5 x 650 cm D.Daskalopoulos Collection Installation view: Doris Salcedo, Museum of Contemporary Art Chicago, February 21–May 24, 2015 © Doris Salcedo, Photo: Patrizia Tocci
Installation view: Doris Salcedo, Solomon R. Guggenheim Museum, New York, June 26–October 12, 2015, Photo: David Heald © Solomon R. Guggenheim Foundation
Felix Gonzalez Torres “Untitled” (Golden), 1995, Strands of beads and plastic track, dimensions vary with installation, Solomon R. Guggenheim Museum, New York, through prior gift of Solomon R. Guggenheim; The Art Institute of Chicago, through prior gift of Adeline Yates; San Francisco Museum of Modern Art, through prior gifts of J. D. Zellerbach, Gardner Dailey, and an anonymous donor; partial gift of Andrea Rosen in honor of Felix Gonzalez Torres 2008.22 © Estate of Felix Gonzales-Torres, Photo: David Heald, Solomon R. Guggenheim Foundation, New York
Rachel Harrison, All in the Family, 2012 Wood, polystyrene, cement, wire, acrylic paint, and Hoover vacuum cleaner, 93 1/2 x 31 x 35 inches (237.5 x 78.7 x 88.9 cm) Solomon R. Guggenheim Museum, New York, Purchased with funds contributed by the International, Director’s Council 2012.126 © Rachel Harrison Photo courtesy Greene Naftali Gallery
R. H. Quaytman, Point de Gaze, Chapter 23, 2011, Silkscreen ink and gesso on panel, 82.2 x 50.8 x 1.9 cm, Solomon R. Guggenheim Museum, New York. Purchased with funds contributed by the International Director’s Council 2012.13 © R. H. Quaytman, Photo: Kristopher McKay, Solomon R. Guggenheim Foundation, New York
Agathe Snow, Stamina, 2015, Color video installation, with sound, 24 hours, Solomon R. Guggenheim Museum, New York, Commissioned by Deutsche Bank AG in consultation with the Solomon R. Guggenheim Foundation for the Deutsche Guggenheim, Berlin, by exchange, 2015 © Agathe Snow
Katie Paterson, Light bulb to Simulate Moonlight, 2008, 289 frosted colored halogen lightbulbs (28W, 4500K), crate, and logbook Dimensions vary with installation, edition 2/9 Solomon R. Guggenheim Museum, New York Purchased with funds contributed by Ahmar M. and Noreen K. Ahmad and an anonymous donor 2011.31 © Katie Paterson, Photo: Dimitris Skliris for Modern Art Museum of Fort Worth, courtesy James Cohan Gallery, New York and Shanghai
Agathe Snow, Stamina, 2015, Color video installation, with sound, 24 hours, Solomon R. Guggenheim Museum, New York, Commissioned by Deutsche Bank AG in consultation with the Solomon R. Guggenheim Foundation for the Deutsche Guggenheim, Berlin, by exchange, 2015 © Agathe Snow
Katie Paterson, Light bulb to Simulate Moonlight, 2008, 289 frosted colored halogen lightbulbs (28W, 4500K), crate, and logbook, Dimensions vary with installation, edition 2/9 Solomon R. Guggenheim Museum, New York Purchased with funds contributed by Ahmar M. and Noreen K. Ahmad and an anonymous donor 2011.31 © Katie Paterson, Photo: Dimitris Skliris for Modern Art Museum of Fort Worth, courtesy James Cohan Gallery, New York and Shanghai
Erica Baum, Jaws, 2008. Inkjet print, image: 47 x 41.6 cm; sheet: 55.9 x 43.2 cm, edition 2/6. Solomon R. Guggenheim Museum, New York, Purchased with funds contributed by Kimberly and Aaron Tighe, 2011.48 © Erica Baum
Claudia Angelmaier, Betty, 2008. Chromogenic print, 130 x 100 cm, edition 5/5. Solomon R. Guggenheim Museum, New York, Purchased with funds contributed by the Photography Committee with additional funds contributed by Aaron and Kim Tighe, and Rona Citrin, 2014.122 © Claudia Angelmaier
Leslie Hewitt, Riffs on Real Time (4 of 10), 2006–09. Chromogenic print, 76.2 x 61 cm, edition 5/5. Solomon R. Guggenheim Museum, New York, Purchased with funds contributed by the Photography Committee 2010.56 © Leslie Hewitt
Erin Shirreff, UN 2010, 2010. Color high-definition video, silent, 17 min. continuous loop, A.P. 1/2, edition of 3. Solomon R. Guggenheim Museum, New York, Purchased with funds contributed by Erica Gervais, 2010.29 © 2010 Erin Shirreff
Anne Collier, Crying, 2005. Chromogenic print, image: 92.4 x 127.6 cm; sheet: 99.1 x 134 x 0.6 cm, edition 1/5. Solomon R. Guggenheim Museum, New York, Purchased with funds contributed by Mr. and Mrs. Aaron M. Tighe 2005.47 © Anne Collier
Lisa Oppenheim, The Sun is Always Setting Somewhere Else, 2006 (detail). Slide projection of 15 35 mm slides, continuous loop, dimensions variable, AP 1/1, edition of 4. Solomon R. Guggenheim Museum, New York, Purchased with funds contributed by the Photography Committee, 2009.60 © 2006 Lisa Oppenheim
Moyra Davey, Les Goddesses, 2011. HD Video with sound, 61 min. Courtesy the artist and Murray Guy, New York
Alberto Burri, Rosso gobbo (Red Hunchback), 1953, Acrylic, fabric, and Vinavil on canvas with metal structure, 56.5 x 85 cm, Private collection, Rome © 2014 Artists Rights Society (ARS), New York/SIAE, Rome
Alberto Burri, Grande bianco plastica (Large White Plastic), 1964, Burned plastic on aluminum stretcher, 191.8 x 292.1 cm, Glenstone, © 2014 Artists Rights Society (ARS), New York/SIAE, Rome, Photo: Tim Nighswander/IMAGING4ART
Alberto Burri, Ferro SP (Iron SP), 1961, Iron and oil on wood, 130 x 200 cm, Galleria nazionale d’arte moderna e contemporanea, Rome, © 2014 Artists Rights Society (ARS), New York/SIAE, Rome Photo: Antonio Idini, Soprintendenza alla Galleria nazionale d’arte moderna e contemporanea, Courtesy Ministero per i Beni e le Attività Culturali
Alberto Burri, Legno e bianco I (Wood and White I), 1956, Oil, tempera, Vinavil, and charred wood on canvas, 87.6 x 159 cm, Solomon R. Guggenheim Museum, New York 57.1463, © 2014 Artists Rights Society (ARS), New York/SIAE, Rome
Alberto Burri, Grande cretto nero (Large Black Cretto), 1977, Acrylic and Vinavil on board, 149.5 x 249.5 cm, Musée national d’art moderne, Centre Georges Pompidou, Paris, Gift of the artist, 1978 © 2014 Artists Rights Society (ARS), New York/SIAE, Rome, Photo: Courtesy Musée national d’art moderne, Centre Georges Pompidou, Paris © CNAC/MNAM/Dist. RMN-Grand Palais/Art Resource, New York
Alberto Burri, Rosso plastica M 2 (Red Plastic M 2), 1962. Burned plastic on canvas, 120 x 180 cm. Private collection © 2014 Artists Rights Society (ARS), New York / SIAE, Rome
Alberto Burri, Ferro SP (Iron SP), 1961, Iron and oil on wood, 130 x 200 cm, Galleria nazionale d’arte moderna e contemporanea, Rome, © 2014 Artists Rights Society (ARS), New York/SIAE, Rome, Photo: Antonio Idini, Soprintendenza alla Galleria nazionale d’arte moderna e contemporanea, Courtesy Ministero per i Beni e le Attività Culturali
Blue Mountain (Der blaue Berg), 1908–09, oil on canvas, 106 x 96.6 cm
Circles on Black (Krugi na Chyomom) (Kreise auf Schwarz), 1921, oil on canvas, 136.5 x 120 cm
Black Lines (Schwarze Linien), December 1913, oil on canvas, 129.4 x 131.1 cm
Dominant Curve (Courbe dominante), April 1936, oil on canvas, 129.2x 194.3 cm
Several Circles (Einige Kreise), January–February 1926, oil on canvas, 140.3 x 140.7 cm
Installation view
Improvisation 28 (second version) (Improvisation 28 [zweite Fassung]), 1912, oil on canvas, 111.4 x 162.1 cm
Doris Salcedo, Disremembered I, 2014, Silk thread and sewing needles, 89 x 55 x 16 cm. Collection of Diane and Bruce Halle
Doris Salcedo, Untitled (camisas), 2013, Cloth shirts, metal rebars, and plaster in 11 parts. Photo: Oscar Monsalve Pino. Courtesy Alexander and Bonin, New York
Doris Salcedo, Atrabiliarios (detail), 1992–2004, Shoes, animal fiber, and surgical thread; 43 niches and 40 boxes, dimensions variable. Courtesy Alexander and Bonin, New York
Doris Salcedo, Plegaria Muda (detail), 2008–10, Wood, concrete, earth, and grass in 122 parts, dimensions variable. Courtesy Alexander and Bonin, New York
Monir Shahroudy Farmanfarmaian, Untitled (Sculpture 2), 2008, Mirror, reverse-glass painting, and plaster on wood, 73 x 73 x 50 cm, The Third Line, Dubai © Monir Shahroudy Farmanfarmaian. Photo: Courtesy of the artist and The Third Line, Dubai
Monir Shahroudy Farmanfarmaian, Untitled, 1976, Mirror, reverse-glass painting, and plaster on wood 100 x 100 cm, Collection of Zahra Farmanfarmaian, Santa Fe © Monir Shahroudy Farmanfarmaian. Photo: Filipe Braga © Fundação de Serralves–Museu de Arte Contemporânea, Porto, Portugal
Monir Shahroudy Farmanfarmaian, Mirror Ball, 1973, Mirror on plaster ball, 19 x 19 x 19 cm, Collection of Nima Isham, Montana © Monir Shahroudy Farmanfarmaian. Photo: Filipe Braga © Fundação de Serralves–Museu de Arte Contemporânea, Porto, Portugal
Monir Shahroudy Farmanfarmaian, Untitled, 2012, Felt-tip pen on paper, 70 x 100 cm, Collection of the artist, courtesy The Third Line, Dubai © Monir Shahroudy Farmanfarmaian. Photo: Courtesy of the artist and The Third Line, Dubai
Monir Shahroudy Farmanfarmaian in her studio working on Heptagon Star, Tehran, 1975. Photo: Courtesy of the artist and The Third Line, Dubai
Monir Shahroudy Farmanfarmaian, Untitled, 1983, Felt-tip pen on paper, 24 x 32 cm, Collection of the artist © Monir Shahroudy Farmanfarmaian. Photo: Courtesy of the artist
Monir Shahroudy Farmanfarmaian in her studio working on Heptagon Star, Tehran, 1975. Photo: Courtesy of the artist and The Third Line, Dubai
On Kawara, MAY 20, 1981, “Wednesday.” New York, From Today, 1966–2013, Acrylic on canvas, 18 x 24 inches (45.7 x 61 cm), Pictured with artist-made cardboard storage boxes, 24 5/8 x 18 5/8 x 2 inches (62.5 x 47.3 x 5 cm), Private collection. Photo: Courtesy David Zwirner, New York/London
On Kawara, APR – 1 1969, From I Got Up, 1968–79, Stamped ink on postcard, 6 x 9 inches (15.2 x 23 cm). MTM Collection, Japan
On Kawara, DEC. 29, 1977, “Thursday.” New York, From Today, 1966–2013, Acrylic on canvas, 8 x 10 inches (20.3 x 25.4 cm), Pictured with artist-made cardboard storage boxes, 10 1/2 x 10 3/4 x 2 inches (26.8 x 27.2 x 5 cm), Private collection. Photo: Courtesy David Zwirner, New York/London
On Kawara, One Million Years, 1993–Live Reading: One Million Years, David Zwirner, New York, January 14–February 14, 2009. Photo: Courtesy David Zwirner, New York/London
On Kawara, Paris–New York Drawing no. 144, 1964, Graphite and colored pencil on paper, perforated top edge, 4 9/16 x 18 1/16 inches (37 x 46 cm), Collection of the artist. Photo: Courtesy David Zwirner, New York/London
On Kawara, I Read, 1966–95, Clothbound loose-leaf binders with plastic sleeves and inserted printed matter, Eighteen volumes, 11 1/2 x 11 3/4 x 3 inches (29.2 x 29.8 x 7.6 cm) each, Sleeve size: 11 x 8 1/2 inches (27.9 x 21.6 cm), Inserts: Newspaper pasted on paper with ink additions, 11 x 8 1/2 inches (27.9 x 21.6 cm) each, Front-page inserts: Newspaper with ink additions, 11 x 7 7/8 inches (27.9 x 20 cm) each. Collection of the artist
On Kawara, Title, 1965, Acrylic on canvas, triptych, Left panel: 46 3/8 x 61 3/8 inches (117.8 x 155.9 cm); center panel: 51 1/4 x 62 3/4 inches (130.2 x 159.4 cm); right panel: 46 1/4 x 61 3/8 inches (117.5 x 155.9 cm), National Gallery of Art, Washington D.C., Patrons’ Permanent Fund
V. S. Gaitonde, Untitled, 1989, Oil on canvas, 50 1/4 x 40 inches (127.6 x 101.6 cm), The Lekha and Anupam Poddar Collection. Photo: Anil Rane, 2014 © Solomon R. Guggenheim Foundation, New York
V. S. Gaitonde, Untitled, 1971, Oil on canvas, 49 3/8 x 39 1/2 inches (125.5 x 100.5 cm), Collection of Kiran Nadar, New Delhi. Photo: Anil Rane, 2014 © Solomon R. Guggenheim Foundation, New York
V. S. Gaitonde, Untitled, 1955, Oil on Canvas, 30 x 22 inches (76.2 x 55.9 cm), Chowdhury Family Collection, Vienna-Mumbai. Photo: Florian Biber, Vienna, 2013
V. S. Gaitonde, Untitled, 1975, Oil on canvas, 70 x 42 inches (177.8 x 106.7 cm), Mr. and Mrs. Rajiv Chaudhri Collection, New York. Photo: Christie’s © Christie’s Images Limited 2014
V. S. Gaitonde, Untitled, 1995, Oil on canvas, 60 x 40 inches (152.4 x 101.6 cm). Courtesy Pundole Family Collection. Courtesy Khorshed and Dadiba Pundole
V. S. Gaitonde, Untitled, 1979, Oil on canvas, 69 1/8 x 40 inches (152.7 x 101.6 cm), Private Collection. Photo: Lee Ewing, 2014 © Solomon R. Guggenheim Foundation, New York
Portrait, V. S. Gaitonde. Photo: Shalini Saran
Illustration from ZERO 3 (July 1961), design by Heinz Mack, © Heinz Mack. Photo: Heinz Mack
Heinz Mack, New York, New York, 1963, Aluminum on wood, 160 x 100 x 20 cm, Private collection, © Heinz Mack. Photo: Heinz Mack
Otto Piene, Light Ballet (Light Satellite) (top) and Light Ballet (Light Drum), 1969, Chrome, glass, and light bulbs, sphere diameter: 38 cm; drum height: 45.7 cm, diameter: 124.5 cm, Moeller Fine Art, New York, © Otto Piene. Photo: Courtesy Moeller Fine Art, New York
Wang Jianwei, Time Temple 5, 2014, Wood and steel . Three parts: one part, 274 x 83.5 x 23 cm; one part, 35 x 60 x 35 cm; one part, 35 x 60 x 35 cm, dimensions vary with installation. Solomon R. Guggenheim Museum, New York, Acquisition in process, The Robert H. N. Ho Family Foundation Collection. Photo: Xu Boxin, courtesy the artist. Wang Jianwei © 2014 Wang Jianwei, used by permission.
Portrait of artist Wang Jianwei in his studio, Beijing, 2013. Photo: Xiao Mi. Courtesy the artist
Wang Jianwei, Time Temple 2, 2014 (detail), Seven parts, wood, rubber, and steel, dimensions variable Solomon R. Guggenheim Museum, New York, Acquisition in process, The Robert H. N. Ho Family Foundation Collection. Photo: Xu Boxin, courtesy the artist. All works by Wang Jianwei © 2014 Wang Jianwei, used by permission.
Wang Jianwei: Time Temple works in progress at Wang Jianwei’s Beijing studio, 2014. Photo: Xu Boxin, courtesy the artist. All works by Wang Jianwei © 2014 Wang Jianwei, used by permission.
Wang Jianwei, Time Temple 3, 2014 (detail), Wood, brass, and rubber. Two parts: one part wood, brass, and rubber, dimensions variable. Solomon R. Guggenheim Museum, New York, Acquisition in process, The Robert H. N. Ho Family Foundation Collection. Photo: Xu Boxin, courtesy the artist, Wang Jianwei © 2014 Wang Jianwei, used by permission.
Wang Jianwei working at his Beijing studio, 2014. Photo: Xu Boxin, courtesy the artist. All works by Wang Jianwei © 2014 Wang Jianwei, used by permission.
Wang Jianwei, Time Temple, 2014, Acrylic and oil on canvas, 210 x 301 cm, Solomon R. Guggenheim Museum, New York, Acquisition in process, The Robert H. N. Ho Family Foundation Collection. Photo: Xu Boxin, courtesy the artist. All works by Wang Jianwei © 2014 Wang Jianwei, used by permission.
Landscape near Murnau with Locomotive (Landschaft bei Murnau mit Lokomotive), 1909, Oil on board, 50.5 x 65.1 cm, Solomon R. Guggenheim Museum, New York 50.1295 © 2014 Artists Rights Society (ARS), New York/ADAGP, Paris
Installation view: Kandinsky Before Abstraction 1901–1911, Solomon R. Guggenheim Museum, New York, June 27, 2014–Spring 2015. Photo: David Heald © The Solomon R. Guggenheim Foundation, New York
Pastorale, February 1911, Oil on canvas, 105.7 x 156.5 cm, Solomon R. Guggenheim Museum, New York, Solomon R. Guggenheim Founding Collection 45.965 © 2014 Artists Rights Society (ARS), New York/ADAGP, Paris
Singer (Sängerin), 1903, Woodcut on Japanese paper, mounted on paper, 35.9 x 24.8 cm, Solomon R. Guggenheim Museum, New York 72.2003 © 2014 Artists Rights Society (ARS), New York/ADAGP, Paris
Regina José Galindo, Blind Spot (Punto ciego), 2010, Digital color video, with sound, 17 min., 2 sec., A.P. 1/3, edition of 5. Solomon R. Guggenheim Museum, New York, Guggenheim UBS MAP Purchase Fund. Courtesy the artist and prometeogallery di Ida Pisani, Milan/Lucca, Italy
Pablo León de la Barra, Guggenheim UBS MAP Curator, Latin America. Photograph by Kristopher McKay © Solomon R. Guggenheim Foundation, New York
Jonathas de Andrade , Posters for the Museum of the Man of the Northeast (Cartazes para o museu do homem do nordeste), 2013, 77 chromogenic prints, mounted on acrylic panels, 10 inkjet prints, and 6 photocopies on acetate with overhead projector, edition 2/5, overall dimensions variable, chromogenic prints 28 3/8 x 19 5/8 x 11/4 inches (72 x 50 x 3 cm) each; inkjet prints dimensions variable; photocopies 8 1/2 x 11 inches each. Solomon R. Guggenheim Museum, New York, Guggenheim UBS MAP Purchase Fund. Installation view, Kunsthalle Lissabon, Jonathas de Andrade: Posters for the Museum of the Northeast Man, June 20–August 17, 2013. Courtesy the artist and Galeria Vermelho, São Paulo. Photo: Jonathas de Andrade
Javier Téllez , One Flew over the Void (Bala perdida), 2005, Digital color video, with sound, 11 min., 30 sec., edition 8/8. Solomon R. Guggenheim Museum, New York, Guggenheim UBS MAP Purchase Fund. Courtesy the artist and Galerie Peter Kilchmann, Zurich
Gabriel Orozco, Piñanona 1, 2013, Tempera and burnished gold leaf on canvas, 15 3/4 x 15 3/4 (40 x 40 cm). Solomon R. Guggenheim Museum, New York, Guggenheim UBS MAP Purchase Fund. Courtesy the artist and kurimanzutto, Mexico City. Photo: Studio Michel Zabé, 2013
Wilfredo Prieto, Walk, 2000, Wheelbarrow, soil, plant, and chromogenic print, overall dimensions variable. Solomon R. Guggenheim Museum, New York, Guggenheim UBS MAP Purchase Fund. Courtesy the artist and NoguerasBlanchard, Barcelona/Madrid
Amalia Pica, A ∩ B ∩ C, 2013, Acrylic sheets, overall dimensions variable. Solomon R. Guggenheim Museum, New York, Guggenheim UBS MAP Purchase Fund. Installation view, Museo Tamayo Arte Contemporáneo, Mexico City, A ∩ B ∩ C, April 9–July 14, 2013. Courtesy the artist and Marc Foxx Gallery, Los Angeles. Photo: Daniela Uribe, courtesy the artist and Museo Tamayo Arte Contemporáneo
Carrie Mae Weems, Untitled (Woman and daughter with makeup) (from Kitchen Table Series), 1990, Gelatin silver print, 27 1/4 x 27 1/4 inches (69.2 x 69.2 cm), Collection of Eric and Liz Lefkofsky, Promised gift to The Art Institute of Chicago © Carrie Mae Weems. Photo: © The Art Institute of Chicago
Carrie Mae Weems, Listening for the Sounds of Revolution (from Dreaming in Cuba), 2002, Gelatin silver print, 28 1/2 x 28 1/2 inches (72.4 x 72.4 cm), Collection of the artist, Courtesy the artist and Jack Shainman Gallery, New York © Carrie Mae Weems
Carrie Mae Weems, Untitled (Man and mirror) (from Kitchen Table Series), 1990, Gelatin silver print, 27 1/4 x 27 1/4 inches (69.2 x 69.2 cm), Collection of Eric and Liz Lefkofsky, Promised gift to The Art Institute of Chicago © Carrie Mae Weems. Photo: © The Art Institute of Chicago
Installation views: Carrie Mae Weems: Three Decades of Photography and Video, Solomon R. Guggenheim Museum, New York, January 24–May 14, 2014. Photo: David Heald © Solomon R. Guggenheim Foundation
Installation views: Carrie Mae Weems: Three Decades of Photography and Video, Solomon R. Guggenheim Museum, New York, January 24–May 14, 2014. Photo: David Heald © Solomon R. Guggenheim Foundation
Installation views: Carrie Mae Weems: Three Decades of Photography and Video, Solomon R. Guggenheim Museum, New York, January 24–May 14, 2014. Photo: David Heald © Solomon R. Guggenheim Foundation
Ivo Pannaggi, Speeding Train (Treno in corsa), 1922, Oil on canvas, 100 x 120 cm, Fondazione Carima–Museo Palazzo Ricci, Macerata, Italy. Photo: Courtesy Fondazione Cassa di risparmio della Provincia di Macerata
Francesco Cangiullo, Large Crowd in the Piazza del Popolo (Grande folla in Piazza del Popolo), 1914, Watercolor, gouache, and pencil on paper, 58 x 74 cm, Private collection © 2014 Artists Rights Society (ARS), New York / SIAE, Rome
Giacomo Balla, The Hand of the Violinist (The Rhythms of the Bow) (La mano del violinista [I ritmi dell’archetto]), 1912, Oil on canvas, 56 x 78.3 cm, Estorick Collection, London © 2014 Artists Rights Society (ARS), New York / SIAE, Rome
Installation view: Italian Futurism, 1909–1944: Reconstructing the Universe, Solomon R. Guggenheim Museum, New York, February 21–September 1, 2014. Photo: Kris McKay © Solomon R. Guggenheim Foundation
Installation view: Italian Futurism, 1909–1944: Reconstructing the Universe, Solomon R. Guggenheim Museum, New York, February 21–September 1, 2014. Photo: Kris McKay © Solomon R. Guggenheim Foundation
Installation view: Italian Futurism, 1909–1944: Reconstructing the Universe, Solomon R. Guggenheim Museum, New York, February 21–September 1, 2014. Photo: Kris McKay © Solomon R. Guggenheim Foundation
3rd grade, PS 8, Brooklyn, 2014 © The Solomon R. Guggenheim Foundation, New York
Student artwork, 3rd grade, PS 48, Staten Island, 2014. Photo: Kris McKay © 2014 Solomon R. Guggenheim Foundation
4th grade, PS 86, Bronx, 2014 © The Solomon R. Guggenheim Foundation, New York
3rd grade, PS 8, Brooklyn, 2014 © The Solomon R. Guggenheim Foundation, New York
Student artwork, 3rd grade, PS 144, Queens, 2014. Photo: Kris McKay © 2014 Solomon R. Guggenheim Foundation
2nd grade, PS 317, Queens, 2014 © The Solomon R. Guggenheim Foundation, New York
Otto Piene, Venus of Willendorf (Venus von Willendorf), 1963, Oil and soot on canvas, 150 x 200 cm, Stedelijk Museum Amsterdam, © Otto Piene. Photo: Courtesy Stedelijk Museum Amsterdam
Christian Megert, Mirror Shard Book (Spiegelscherbenbuch), 1962, Glass, mirror, and adhesive tape, 42 x 30 x 2 cm, Collection of Mr. and Mrs. Nicolas Cattelain, London, © 2014 Artists Rights Society (ARS), New York/ProLitteris, Zurich. Photo: Courtesy Franziska Megert
Pol Bury, Punctuation (Ponctuation), 1959, Wood and electric motor, diameter: 70 cm, Private collection, Brussels, courtesy Patrick Derom Gallery, Brussels, © Pol Bury. Photo: Courtesy Patrick Derom Gallery, Brussels
Accompanied Contrast (Contraste accompagné), March 1935, Oil with sand on canvas, 97.1 x 162.1 cm, Solomon R. Guggenheim Museum, New York, Solomon R. Guggenheim Founding Collection, By gift © 2013 Artists Rights Society (ARS), New York/ADAGP, Paris
Capricious Forms (Formes capricieuses), July 1937, Oil on canvas, 88.9 x 116.3 cm, Solomon R. Guggenheim Museum, New York, Solomon R. Guggenheim Founding Collection © 2013 Artists Rights Society (ARS), New York/ADAGP, Paris
Dominant Curve (Courbe dominante), April 1936, Oil on canvas, 129.2 x 194.3 cm, Solomon R. Guggenheim Museum, New York, Solomon R. Guggenheim Founding Collection © 2013 Artists Rights Society (ARS), New York/ADAGP, Paris
Installation Views, Kandinsky in Paris, 1934–1944, June 28, 2013–April 23, 2014, Solomon R. Guggenheim Museum. Photo: Kristopher McKay
Installation Views, Kandinsky in Paris, 1934–1944, June 28, 2013–April 23, 2014, Solomon R. Guggenheim Museum. Photo: Kristopher McKay
Installation Views, Kandinsky in Paris, 1934–1944, June 28, 2013–April 23, 2014, Solomon R. Guggenheim Museum. Photo: Kristopher McKay
Capricious Forms (Formes capricieuses), July 1937, Oil on canvas, 88.9 x 116.3 cm, Solomon R. Guggenheim Museum, New York, Solomon R. Guggenheim Founding Collection © 2013 Artists Rights Society (ARS), New York/ADAGP, Paris
Otto Piene, Venus of Willendorf (Venus von Willendorf), 1963, Oil and soot on canvas, 150 x 200 cm, Stedelijk Museum Amsterdam, © Otto Piene. Photo: Courtesy Stedelijk Museum Amsterdam
Student artwork, 3rd grade, PS 144, Queens, 2014. Photo: Kris McKay © 2014 Solomon R. Guggenheim Foundation
Filippo Masoero, Descending over Saint Peter (Scendendo su San Pietro), ca. 1927–37 (possibly 1930–33), Gelatin silver print, 24 x 31.5 cm, Touring Club Italiano Archive
Carrie Mae Weems, Afro-Chic, 2010, Digital color video, with sound, 5 min., 30 sec. Collection of the artist, courtesy Courtesy the artist and Jack Shainman Gallery, New York © Carrie Mae Weems
Christopher Wool, Installation Views, Photo: David Heald
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