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“The Beast” by Ruth Ewan at Collective in Edinburgh
Destroying the environment, playing the philanthropist card
Francesco Zizola: Mare Omnis
How the detail of a network opens sociological and anthropological reflections
The allure of lady killers: Salomé, Judith and Jael
Romantic heroines from myth to canvas and beyond
George Tice at Joseph Bellows Gallery
The impact of the replaced commonplace
Interview with Jaye Moon
An inspired career from Korea to New York
Lucio Fontana. After the space age
Fondazione Magnani Rocca, Traversetolo, Italy
An interview with Albert Godetzky
Silent rebels: Symbolism in Poland around 1900
Interview with Daria Usova: inventing a dream
Official artist of the Principality of Monaco
Amber Vittoria: Manhattan artist and poet
Exploring nuances of womanhood through a bold and colourful palette
Andreas Gursky at White Cube, Bermondsey
The end of the beginning
Alberto Giacometti and Isaku Yanaihara
Parallel realities
Mohamad Hafez: the architect of (un)reliable memories
Journeys from an absent present to a lost past
Postcard from the seaside
The scintillating light on the water, the changing colours and the moving horizon
The doomed artist
Is the cloud of darkness innate or cultivated?
Nasser Alzayani in Louvre Abu Dhabi
The winner of the first edition of the Richard Mille Art Prize
The bonfire of humanities
A view into British art education 1960-2020
An interview with Candida Lodovica de Angelis Corvi
Forbidden fruit: female still life
An open conversation with De Rrusie
A spirit of no nation
An interview to Obvious
Art and Artificial Intelligence
The Arch of Pius VII rather than the Arch of Titus
A fascinating conversation with historian Samuele Rocca in the New Wing of the Vatican Museums
Redemption through sulfur, hydrogen and oxygen
Lola de Miguel at Third Floor Gallery, Manhattan
Café terrace at night by Vincent Van Gogh
A night in South of France, where time whisks away in coffee, porcelain and cheer
Mind the gap
Advocating for the Art School of Hard Knocks
Jumana Manna: the body, the earth and the matter
Ruins as an integral part of life, and their regeneration
Judaism is the foundation of the Christian faith
The Sistine Chapel with Rabbi Benjamin Blech and Roy Doliner
Witches, angels and gods
The magic of Symbolism
Darthea Cross
Contemplating sermons in the stones
Dürer’s journeys
500 years back in time
Anna Ridler: working with GANs
How can art and Artificial Intelligence interact?
Grayscale
Simon Lee Gallery London
Imran Qureshi and Islamabad United
World’s first cricket and art collaboration
The season of silence: visible and invisible
An open gate between Constantin Brancusi and Ionel Scaunasu
Meet Henry Mova
A pioneering art hunter on a mission in the world of art
Seasonal landscapes of memory and hope
Celebration of Grandma Moses’ legacy
An interview with Hu Huiming
The artist's latest work: White soft rest
An interview with gallerist Dorian Dumonteil
Being an artist is a vocation
Reframing Catholicism through art
Hail Mary, beloved Mother Earth
Art and the weaponization of everything
The seismic premise shift of art beyond view
Antonio Riello. Confined Objects
Lockdown drawings
The symbolism of nature
Notes on a landscape
Dante, the visionary and the myth
Between literature and art
Mamil(a)s. Desvio Coletivo new performance
Who is afraid of women’s bodies?
Perucchetti's homage to nature
Textural renderings of the natural world
Coral Woodbury. Palimpsest
HackelBury Fine Art, London
Venezia 3021
The video installation created for the celebration of its 1600 years
Art’s major task is to offer alternative models of reality
An interview with Sergey Katran
Edo Rinpa style of Kiitsu Suzuki
Seasonal streams at Nezu Museum
The art of drawing nature
Interview with Giovanni De Lazzari
Never let a good crisis go to waste
Arguing for the arts in the 21st century
Ancient Kingdom
Prehistorically discoveries in Morocco
An interview to Massimiliano Padovan Di Benedetto
Rome Art Week 2021
And then we danced
Painters have rhythm
Something you can’t help looking at
Cristian Porretta on his long-lasting collaboration with Jacopo Mandich
A deep and personal way of looking at things
An interview with Joseph Montgomery
A monstrous journey in search of Oscar Giaconia
The Grinder, Mr. O., Bhulk, Calabiyau, Ginnungagap
Paul Vousden. The legacy of the Burkean sublime
Representations of the British landscape in visual art
Poetic illusion
An interview with Stefano Di Stasio
Again
Public art in New York by Seongmin Ahn
The ecstatic dance of shapes and colours
Interview with London artist Sergey Kozlov
The line of life: Viveka Assembergs
Sculpture, gift, and virtue
Stone epitaphs of Jewish women in ancient Rome
Gaudentia, Eulogia, Besula
Giovanni Marinelli is not afraid of the blank sheet
Individual works
The phantasmic world of Tadanori Yokoo
Transforming reality into fantasy, fantasy into reality
Hold the hyperbole
How did self-promotion phenomenon gain such widespread traction in our consciousness
Interconnected universes
An interview with Olmo Amato
Victorian village art
Watts Gallery-Artists' Village
Contemplations in pen & ink
Drawing lines through time
Danilo Stojanović. A gothic reality in liquid tones
"Mourning the red cactus" at Andrea Festa Fine Art
An interview with Ludovico Bomben
The artistic process as a path: from vision to object
Remember you are a soul
An interview with photographer Søren Solkær
Exploring the mind of the talented Gabriel Buttigieg
Interpreting the human condition through the artist's creations
The naked city
Where is the place for art and culture on an uninhabitable planet?
Gioacchino Rossini and Agostino De Romanis
The theatre of light
The theatre of photography
An interview with Gregori Maiofis
The simplicity of life
A nomination to resurface and survey… II
Banksy. A visual protest
An exhibition that pays off the waiting caused by the pandemic
Non-Fungible Token's latest spin
Tech company Streeth is making street art collectible
Short history of the nude in Ennio Morlotti
Forty years of research and introspection
Art, travel and time
An interview with gallerist Georges Bergès
A crisis at scale
Public art and the winds of change
Why hasn’t America worked for everyone?
Marion Palfi at the Phoenix Art Museum
Getting under the skin of art
An interview with Martin Beek
Tom Poelmans. Between abstract & figurative art
"The hidden history" at Andrea Festa Fine Art
Cesare Brandi and Giorgio Morandi
Short history of a friendship
We are still children of the 60s
Art of the 1960s: Dayton Art Institute
Gabriel Bracho
Militant of Venezuela’s Social Realism
The problem with science
Classification and perception in the work of Hans-Peter Feldmann
Pascal Greco
Hong Kong and its neon signs
An interview with Oscar Rabin
I am always on the side of the persecuted, humiliated, and oppressed
From collector to entrepreneur
Andrea Festa on the phenomenon of home galleries
Marunouchi Street Gallery
From Wasteland to Artland
Discovering tactile values
A new fascinating experience at the Accademia Carrara in Bergamo
Anish Kapoor
Museum of Contemporary Art and Urban Planning, Shenzhen
Only the dead have seen the end of war
Let’s play statues
Victorian and Pre-Raphaelite stained glass unveiled
An interview with Alastair Carew-Cox
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