Kasmin presents Robert Indiana: The source, 1959–1969, a focused survey of the transformative decade in which Indiana established his unique artistic language, achieving wide recognition and cementing his place as an icon of American art. Featuring 20 works drawn exclusively from the artist’s personal collection as endowed by Indiana to the Star of Hope Foundation, the exhibition includes an example from the artist’s first edition of Love sculptures, conceived in 1966 and executed between 1966—1968, and a vitrine display of archival materials including some of the artist’s journals. This exhibition marks Kasmin’s first collaboration with the Star of Hope Foundation, which was established by the artist in his lifetime, and the gallery’s eighth solo exhibition of work by Indiana since 2003. Robert Indiana: The source, 1959–1969 is on view at 509 West 27th Street, New York, from February 27–March 29, 2025.

Robert Indiana: The source, 1959–1969 chronicles the Minimalist origins of Indiana’s signature use of signs, symbols, words and numbers. Pairing canonical works with those rarely seen by the public, the exhibition provides a deeper understanding of Indiana as an artist whose output remains emblematic of American culture. The paintings on view demonstrate the personal iconography the artist ascribed to his artwork: as his peers withdrew from the aesthetics of self-expression, Indiana embarked on a career-defining inquiry into the power of symbols to represent meaning. Organized thematically, the exhibition charts Indiana’s influential depictions of words and numbers in bold colors through his early abstractions, reflections on his personal history and the stages of life, and the poetic inevitability of transcendence—a return to the source.

The exhibition is presented in dialogue with Pace Gallery’s upcoming exhibition Robert Indiana: The American dream, opening May 9 at 540 West 25th Street, New York. The Star of Hope Foundation, in collaboration with Kasmin Gallery, and The Robert Indiana Legacy Initiative, represented by Pace Gallery, have developed these distinct exhibitions in parallel to explore different aspects of Indiana’s artistic output and offer a diverse set of perspectives on the most formative decade of his career.