The exhibition features two distinct types of paintings, showcased in the gallery's front room and basement.

Although titled Suns and landscapes, it is tempting to consider naming all the works Hope.

The sun and multiple suns appear throughout all the works.

In the front gallery, four paintings of radiant suns with closed eyes are displayed alongside others. The sun's faces radiate a sense of peace. Perhaps they are dreaming. Beside them, Schmidt-Rasmussen presents works about which he remarks: “Some of the other paintings might be dreams. To me, they replace the rather tedious and trivial dreams I encounter at night. However, as a viewer, I believe you can use my suggestions as replacement dreams, too. I hope they are sufficiently strange to inspire hope.” We find ourselves in a world of possibilities where anything can transpire. A boy sits in a squid tree, a dreaming factory, and several flower trumpets. The level of detail is remarkable; the fine brushes have been wielded with slowness and precision—cornucopias of gold, bubbling circles, intricate patterns, entwined foliage, and crystalline compositions.

The motifs in the courtyard room consist of landscapes characterised by an airy, utopian quality, featuring a few houses where everything flickers and is in motion. The animals roam about leisurely while most of the people are asleep. The sun also shines here, even in the painting depicting a night scene where everything transforms. Titled Landscape 2 and subtitled Hymn of youth, these paintings have all been in progress for a considerable time, with some taking three to four years.

In 2024, Christian Schmidt-Rasmussen completed his public decoration for the Metro station at Mozarts Plads, published the novel On the ruins of a glorious future, and participated in DR's series Kunstnerkolonien in Hornbæk.