By cutting out, reshuffling, and layering multiple photographs, artists create composite artworks called photomontages and collages. First coined by Berlin Dada artists John Heartfield and Raoul Hausmann at the beginning of the First World War, the photomontage was originally conceived as a form of social and political critique.

With further developments from Cubist and Surrealist artists, both techniques gained widespread appeal for their capacity for abstraction, experimentation, and narrative building. Photomontages and collages can create both seamless compositions, as well as generate new relationships and dialogues between individual pictures.

Cut up, cut out. Photomontage and collage explores these photographic techniques as enduring forms of artistic engagement, highlighting several new acquisitions and contemporary examples from the Norton’s Collection, as well as a selection of special loans. These hybrid forms can even point us to the foundations of our contemporary digital experience, as such widespread and rapid access to information continues to change and accelerate our ability to cut, mix, and paste each day.