Dawoud Bey: Street portraits is the first standalone museum show to explore a transformational phase of the celebrated photographer and 2017 MacArthur Fellow Dawoud Bey's work. The show features 36 portraits he took between 1988 and 1991, when he collaborated with Black Americans of all ages whom he met on the streets of various American cities. He asked a cross section of people in these communities to pose for him, creating a space of self-presentation and performance in their urban environments.

Bey used a large format tripod-mounted camera and a unique positive/negative Polaroid film that created both an instant print and a reusable negative. Bey considers photography an ethical practice that requires collaboration with his subjects. As part of every encounter, he gave each person a small black-and-white Polaroid print as a way of reciprocating and returning something to the people who allowed him to make their portrait.

Street portraits is organized by the community the photographs were taken in: Brooklyn; Washington, D.C.; Rochester; Amityville; and Harlem. Bey defies racial stereotypes by encouraging Black people to present themselves openly and intimately to the camera, the viewer, and the world.