The madonna of Saint Sebastian was painted by Correggio for the confraternity of Saint Sebastian in Modena around 1524. Historical records show that the panel painting was already damaged in the possession of the brotherhood and its condition deteriorated in the following centuries. Today, the most noticeable alteration is the painting’s washboard-like surface, which can be attributed to the use of unsuitable boards. Due to the boards’ convex warping, the lifting of paint layers and corresponding losses have occurred especially along the joins.

In the past, repeated attempts were made to stabilise the panel and paint layers. However, in addition to the application of secondary support systems on the reverse, various interventions on the front of the painting have led to Correggio’s highly esteemed painting being increasingly obscured. As part of a research project, the state of preservation, causes of damage and aspects of Correggio’s painting technique will be investigated, and a comprehensive conservation and restoration of the paint layers and the wooden support will be undertaken.

The richness of colour and detail in Correggio’s painting will once again be able to be experienced fully, thus enabling the rebirth (It. rinascita) of this masterpiece. Due to its high fragility, Correggio’s work cannot leave the gallery. It will therefore be treated in a temporary public conservation studio set up for the project. This will give visitors the opportunity to witness the progress of the conservation.