The Untitled Space is pleased to present “The Labyrinth” an installation and exhibition of works by artist Indira Cesarine featuring photography, video, painting, and sculpture, as well as a series of performances inspired by the artwork. The exhibition will open with an artist reception on March 12th, 2020 featuring a special performance by renowned modern dancer Katherine Crockett, and will be on view through April 11th.

For “The Labyrinth” Cesarine has created an immersive installation, transforming the gallery into a maze through which viewers can experience her contemporary female gaze on Surrealism, a theme the artist has been exploring through a variety of mediums over the past several decades. “The Labyrinth” is a surreal odyssey that reveals through its passages a kaleidoscopic universe of subconscious realities bound by the contrasts of hyperrealism and ethereal symbolism. Cesarine leads the viewer through this maze of discoveries, presenting works that are deeply personal and equally created in response to the influence of Surrealists including Jean Cocteau, Man Ray, and Dora Maar. “The Labyrinth” explores the juxtaposition of contrasting opposites, dimension, distortion, and the power of light to engage and reflect on our own stream of subconscious while provoking the tangibility of perceived realities. The result is a journey through our fantasies and expectations, rendered through the lens of dreams and desires.

The juxtaposition of Cesarine’s macro and kaleidoscopic florals created for “The Labyrinth” play in sharp contrast to the visual yin yang of her surreal portraits of women that explore female sensuality and identity. Through the lens of fantasy and illusion, she toys with imagery of the subconscious mind, depicting the human form with power and subjectivity. Hands and faces intertwine in a reverie that is part real, part illusion. Sculptural hands project from the walls of the installation as though coming alive, part human, part sculpture, in a manner that is both seductive and haunting. Video art, including a 2020 remix of her film “The Spell” which was featured at The Metropolitan Museum of Art, adds to the visual poetry and experience of the maze. Her use of symbolism and dramatic chiaroscuro conveys emotionally charged imagery that presents both an escape into fantasy and a journey through our unattainable desires. As one walks through “The Labyrinth,” there is a sense of being lost in time as kaleidoscopic images come alive off the walls. Mirrors positioned throughout the installation emphasize our own reflections while exploring the surreal landscape of the artworks on display.

“The Labyrinth” exhibition and installation features Cesarine’s most recent body of work, as well as select works from her “Goddess”, “Les Fleurs du Mal”, “Pandora’s Box” and “ONLY YOU” series. Cesarine’s “Goddess” series, featuring dancer Katherine Crockett, presents emotive images of the female form juxtaposed with detailed florals, creating surreal portraits that according to the artist, emphasize the graceful strength of Mother Earth as a goddess and the power of nature. “Les Fleurs du Mal” welded steel sculpture series reflects on the emotional impact and symbolism of flowers. The depiction of flowers, whether as a still life, as part of a photographic composition, or in the form of a 3 dimensional sculpture has been an ongoing theme in Cesarine’s artwork dating back to her early photography series shot on medium format film in the 1990s. Also featured in the “The Labyrinth” are a selection of photography and video art from her “Only You” series, which focuses on the eyes as an emotional portal. Works from her “Only You” series were previously exhibited at Cannes Film Festival, Art Basel Miami, SCOPE Basel, Switzerland, CICA Museum (South Korea), Red Bull Studios (London), and Norwood Arts Club, NY.