From 26 February 2020, the Palais de la Porte Dorée will present a major exhibition devoted to the work and creativity of Christian Louboutin, the internatio- nally renowned footwear designer and key gure in the fashion world. Designed as an invitation to disco- ver Christian Louboutin’s rich universe, the exhibition will explore every facet of his multi-referential work, in an institution that has played an important role in inspiring his vocation. From the beginning, Christian Louboutin infused his designs with a great wealth of motifs and colours inspired by his love of art and di e- rent cultures.

Flamboyant, daring, open to the world, generous and at times caustic, the designer’s creati- vity is informed by a passion for travel and references from the worlds of pop culture, theatre, dance, litera- ture and cinema. In revealing Christian Louboutin’s inspirations and creative processes, the exhibition will showcase the designer’s vision through a selection of the most precious works from his personal collection and loans from public collections. A large selection of shoes will be on display, some of which have never been exhibited before. These historic and artistic pieces will be shown alongside a number of exclusive collaborations which pay tribute to Christian Lou- boutin’s admiration for craftsman’s know how. Some examples include stained glass panels created by the Maison du Vitrail, a Sevillian silver palanquin and a cabaret sculpted in Bhutan. The exhibition will also unveil collaborations, never seen before, with artists who are important to him: the director and photo- grapher David Lynch, the New Zealand multimedia artist Lisa Reihana, the British designer duo Whitaker Malem, the Spanish choreographer Blanca Li, and the Pakistani artist Imran Qureshi, amongst others.

Born in the 12th district of Paris, close to the Palais de la Porte Dorée, Christian Louboutin was fascinated from an early age by the architectural beauty and ornamen- tal richness of the institution, which was one of the earliest in uences feeding his love of art and applied arts. He borrowed a whole repertoire of forms and motifs from the Palais for his rst designs, including the Maquereau shoe – made of metallic leather and direc- tly inspired by the iridescence of the sh in the Palais de la Porte Dorée’s tropical aquarium. It was also at the Palais, a masterpiece of Art deco, that Christian Lou- boutin, then a young adolescent, noticed a sign for- bidding visitors to wear high heeled shoes. This sign subsequently inspired the iconic Pigalle shoe which has been reinvented over the course of the seasons.

With this exhibition, the Palais de la Porte Dorée ini- tiates a new programme of events dedicated to contemporary creation.