With the exhibition »Balkrishna Doshi: Architecture for the People«, Vitra Design Museum presents the first international retrospective about the 2018 Pritzker Prize laureate Balkrishna Doshi (born 1927, Pune, India) outside of Asia. The renowned architect and urban planner is one of the few pioneers of modern architecture in his home country and the first Indian architect to receive the prestigious award. During over 60 years of practice, Doshi has realized a wide range of projects, adopting principles of modern architecture and adapting them to local culture, traditions, resources, and nature.

The exhibition will present numerous significant projects realized between 1958 and 2014, ranging in scale from entire cities and town planning projects to academic campuses as well as cultural institutions and public administrative offices, from private residences to interiors. Among these works are pioneering buildings like the Indian Institute of Management (1977–92), Doshi’s architectural studio Sangath (1980), and the famous low-cost housing project Aranya (1989). Exhibits will include a wealth of original works such as drawings, models, and art works from Doshi’s archive and studio, but also photography, film footage and several full-scale installations. An extensive timeline will give an overview of the architect’s career from 1947 until today, attesting to his close relationships with other influential architects and thought leaders such as Le Corbusier and Christopher Alexander.

The exhibition »Balkrishna Doshi: Architecture for the People« will open Doshi’s work to a global audience and show how the architect’s work has redefined modern Indian architecture as well as shaped new generations of architects. Therefore, the retrospective does not only offer an overview of Doshi’s architectural work, but also reflect on its underlying ideals and social context. Doshi’s humanist philosophy was shaped by his Indian roots as well as his western education and the rapidly changing context of Indian society since the early 1950s. His architectural vocabulary, which is both poetic and functional, was strongly influenced by what he learned from Le Corbusier, with whom he collaborated on the design of the Indian city of Chandigarh and on other projects, and from his experiences with Louis Kahn, who conceived the design for the Institute of Management. Reaching beyond these early models, Doshi developed an approach that oscillates between industrialism and primitivism, between modern architecture and traditional form. His practice is based on ideas of sustainability and aims to root architecture in a larger context of culture and environment as well as social, ethical, and religious beliefs.