As part of Jealous’ 10th Birthday Celebrations, it seemed very apt for Charming Baker to come back home to Jealous and finish a project we started together a few years back.

Using the iconic Half Pint image, we spent one long week of manic energy, printing, flocking, arguing and drinking long into the night until we finally had to stop and call it a day.

The result is a beautiful series of unique Panda Head prints, each with individually screenprinted backgrounds and rich black flocked Panda heads.

Join us for the first viewing of these beautiful and highly embellished works at a small 4 day exhibition at Jealous East, from Thursday 6th September until Sunday 9th September. The exhibition will then travel to Jealous North from 12th until 30th September.

Born in Hampshire 1964, Charming Baker spent much of his early life travelling around the world following his father, a Commando in the British Army. At the age of 12, he and his family finally settled in Ripon, North Yorkshire. Baker left school at 16 and worked various manual jobs and in 1985, having gone back to college, he was accepted onto a course at the prestigious Central Saint Martin’s, where he later returned as a lecturer. After graduating, Baker worked for many years as a commercial artist as well as developing his personal work.

Solo exhibitions include the Truman Brewery London 2007, Redchurch Street Gallery London 2009, New York Studio Gallery NYC 2010, Mercer Street London 2011, Milk Studios LA 2013 and Sotheby’s S2 London 2016. Baker has also exhibited with the Fine Art Society, collaborated with Sir Paul Smith for a sculpture entitled ‘Triumph in the Face of Absurdity’ which was displayed at the Victoria and Albert Museum, continues to be committed to creating work to raise money for many charities and has recently been commissioned to be a presenter on The Art Show. His work is in many international collections.

Although Baker has produced sculptural pieces in a wide and varied choice of materials as well as many large-scale and detailed drawings, he remains primarily a painter with an interest in narrative and an understanding of the tradition of painting. Known to purposefully damage his work by drilling, cutting and even shooting it, Baker intentionally puts in to question the preciousness of art and the definition of its beauty, adding to the emotive charge of the work he produces. Indeed Edward Lucie-Smith has described Baker’s paintings as having, “something more, a kind of romantic melancholy that is very British. And sometimes the melancholy turns out to have sharp claws. The pictures make you sit up and examine your conscience.” Charming Baker lives and works in London.