Petra Cortright’s core practice is the creation and distribution of digital files, whether they be videos, GIFs, or JPEGs, using consumer or corporate software and platforms. She has become renowned for making self-portrait videos that use her computer’s webcam and default effects tools, which she then uploads to YouTube.

Cortright’s paintings on aluminum, linen, paper, or acrylic are created in Photoshop using painting software and appropriated images, icons, and marks. The digital files are endlessly modifiable, but at a “decisive moment” they are translated into two-dimensional objects. They become finite, yet their range of motifs and marks, and their disorienting perspectives and dimensions suggest dynamic change.

Petra Cortright lives and works in Los Angeles, CA. She studied Fine Arts at Parsons School of Design, The New School, New York, NY (2008) and the California College of the Arts, San Francisco, CA (2004). Selected exhibitions include: “Electronic Superhighway,” Whitechapel Gallery, London, UK (2016); The Metabolic Age, MALBA, Buenos Aires, Argentina; “On YouTube. Kunst und Playlists aus 10 Jahren,“ Kunsthaus Langenthal, Switzerland; “Im Inneren der Stadt,” Künstlerhaus Bremen, Germany; Ural Industrial Biennial, Ekaterinberg, Russia (2017); 1301PE, Los Angeles; City Gallery, Wellington, New Zealand (both solo, 2017); Carl Kostyál, London, UK; Ever Gold Projects, San Francisco (both solo, 2016); Depart Foundation, Los Angeles (solo, 2015); Foxy Production, New York, NY (solo 2017 and 2015); Société, Berlin, Germany (solo, 2014 and 2016); Frieze Film, Frieze London, UK; 12th Bienniale de Lyon, France (both 2013); Preteen Gallery, Mexico DF (solo, 2011), and the Venice Bienniale (2009). Cortright’s work is in the collections of LACMA, Hammer Museum, Moderna Museet (Stockholm), MOTI (Breda) in collaboration with Stedelijk Museum (Amsterdam), MCA Chicago, BAMPFA, and San Jose Museum of Art.