Bill Travis: Leaving things out and spanning centuries of techniques, my work is, at heart, an enquiry into time.

While a documentary-type image lets us ask questions about the period it's set in, I think of my images as existing outside time, without obvious markers, because they live in an inner space where accidents of dress and decor no longer matter.

Longing, reflection, hope, passion, desire transcend the here and now. They are fleeting and eternal at the same time.