Mayoral presents an exhibition inspired by the Spanish Pavilion at the 1937 Paris Exposition Internationale des Arts et Techniques dans la Vie Moderne, commemorating 80 years since its inauguration. The original Pavilion marked a crucial moment during the Spanish Civil War (17 July 1936 – 1 April 1939), with the Spanish Republic using it as a platform to demonstrate to the rest of the world the atrocities that were taking place in Spain.

Similarly to the original pavilion, this exhibition features paintings and sculptures by modernist masters including Pablo Picasso, Joan Miró, Alexander Calder and Julio González. This exhibition in London also brings together important archival material, such as rare propaganda posters from the original pavilion and a replica of Miró’s infamous work El Segador (The Reaper) which disappeared when the pavilion was dismantled in 1937.

Mayoral’s tribute to the Pavilion is curated by Juan Manuel Bonet, Director of the Instituto Cervantes in Paris, and former Director of Museo Nacional Centro de Arte Reina Sofía in Madrid. The exhibition is produced in collaboration with Joan Punyet Miró, historian and grandson of Joan Miró and specialists on the subject, Fernando Martin and Josefina Alix. Amongst the works featured will be Picasso’s Head of a Woman, Calder’s sculpture Crag with Yellow Boomerang and Red Eggplant and Miró’s Métamorphose.

The Spanish government sought to use the Pavilion as a means of political propaganda, to reveal the cruelty of Franco’s regime. Participation in the Paris Exposition became an occasion to reflect on the conflict, with the Spanish Government commissioning some of the key artists and designers in the country at that time.

The commission stimulated the artists to create some of the most significant artworks of their careers: Picasso’s Guernica, Calder’s The Mercury Fountain, González’s Montserrat and Miró’s El Segador (The Reaper). As Joan Punyet Miró, Miró’s grandson, explains: “El Segador reflected the pain, suffering and revolutionary angst of the Catalan people on seeing how their identity, their language and their culture risked being engulfed by a nationalist victory. It is important to note that this mural was produced specifically for the Republican Pavilion, as was Picasso’s Guernica.” The original pavilion was designed by renowned Spanish architects Josep Lluís Sert and Luis Lacasa to assert the validity of the Spanish Republic and openly denounce the Nationalist faction under the command of General Franco. The modernist Pavilion stood in bold contrast to the monumental pavilions of the Soviet Union and Germany. Both architects also played a pivotal role in inviting Picasso and Miró to take part in the commission for the Spanish Pavilion. The original pavilion has since been dismantled and a replica was built in 1992 at The Pavelló de la República CRAI Library in Barcelona by the architects Antonio Ubach, Juan Miguel Hernandez and Miguel Espinet Leon.

Art Revolutionaries pays tribute to the Pavilion by including imitations of the Pavilion façade as well as replica furniture and an abundance of historical and archival material including press coverage and footage of the Pavilion. Amongst the archival material will be documentation of ways in which British artists such as Henry Moore and Felicia Browne showed support for the Spanish Republicans during the Spanish Civil War, and of the tour of Picasso’s Guernica around the UK in 1938, first shown at New Burlington Galleries, London.

Jordi Mayoral, Director of Mayoral explains the motives behind bringing this show to London: “The works produced by the artists involved at the time of the Spanish Civil War represent a significant turning point in the country’s struggle between democracy and fascism. As we commemorate the 80th anniversary of this historical episode in Paris in 1937, we pay homage to these artists before a London audience”.

Joan Punyet Miró is an art historian, curator, writer, poet and performance artist. He holds a degree in Art History from New York University, and has published several books on Joan Miró, such as Miró: Le peintre aux étoiles, Paris 1993, Miró: L’atellier, Paris 1996, Al voltant de Miró, Barcelona 2014 and The Miró Eye, Madrid 2015. Together with Joan Gardy Artigas, he co-authored the 2007 catalogue raisonné on Ceramics. Miró – Artigas.

Joan Punyet Miró curated the exhibition Calder in the Fundació Miró in 1997 and has collaborated and consulted on numerous Joan Miró exhibitions in Toronto, London, Baden-Baden, New York, Paris, Taipei, Santiago de Chile, Mantova, Istanbul and Dusseldorf among others, often writing essays for the accompanying catalogues. In 2014, he curated the exhibition Joan Miró: Graphic Work at the Fundació Tren de l’art Ferrocaril de Sóller in Palma. As the late painter ́s grandson, Joan Punyet Miró is Managing Director of the Successió Miró, as well as Vice-president of the Association for the Defense of Miró’s Oeuvre (ADOM). He is a patron of the Fundació Miró de Barcelona, the Fundació Pilar i Joan Miró a Mallorca, and the recently created Fundació Mas-Miró, Mont-roig.

Juan Manuel Bonet is a writer, art critic and former director of the Institut Valencià d'Art Modern in Valencia and of the Museo Nacional Centro de Arte Reina Sofía in Madrid. He is the current director of the Instituto Cervantes in Paris. Bonet has published various essays, poetry and books. He is best known for the 1995 book Diccionario de las Vanguardias en España (1907-1936).

Josefina Alix is an art historian and curator. She curated the exhibition Pabellón Español. Exposición Internacional de París 1937 at the Museo Nacional Centro de Arte Reina Sofía in 1987.

Fernando Martín is a contemporary art professor at the University of Seville, and author of the first book on the Spanish Pavilion: El pabellón español de la Exposición Universal de París en 1937.