Serpentine Galleries presents Leon Golub: Bite Your Tongue at the Serpentine Gallery this spring. This survey exhibition of the American figurative painter, his first in a London public institution since 2000, will highlight key aspects of the artist's oeuvre from the 1950s until his death in 2004.

Throughout his career Golub was guided by his belief that art should have relevance. His works are profoundly psychological and emotive - often painted on a huge scale - and return again and again tothemes of oppression, violence and the misuse of power. His paintings from the 1950s depict universal images of man and reference the classical figure found in antiquity, while his highly political series of the 1970s and '80s draws on the Vietnam War, American foreign policy and the rise of paramilitary soldiers in places such as South Africa and Latin America. His work from the 1990s incorporates slogans, text, graffiti and symbols into dystopian scenes of urban existence.

Golub experimented with scale, and the works assembled for this exhibition range in size from the smaller works on paper to monumental, unstretched canvases that will extend from floor to ceiling at the Serpentine Gallery. Born in Chicago in 1922, Golub began painting in the figurative style in the early 1950s. Labelled as a 'Chicago Imagist', he was a member of the post-war artists' group known as Monster Roster. Several members of the group, including Golub, served in World War II, subsequently obtaining fine arts degrees as a result of the American GI Bill. During a time when abstraction was hailed as the future of contemporary painting, the group created works rooted in the external world, with the human figure and contemporary events informing their style and content This exhibition at the Serpentine Gallery is part of the Serpentine's Spring Programme, which includes an exhibition by Cameroon-born artist Pascale Marthine Tayou presented concurrently at the Serpentine Sackler Gallery.

Julia Peyton-Jones, Director, and Hans Ulrich Obrist, Co-Director, at Serpentine Galleries, said: 'The 21st Century seems as fragile and as turbulent as any moment in history - with the police shooting in Ferguson a tragic replay of events that sparked the Watts riots in 1969, Afghanistan's wearying parallels with Vietnam and private armies plaguing the African continent once again - the work of Leon Golub is highly relevant to today's audience. While he saw it as an essential part of his role as an artist to bring to the fore mankind's acts of violence, his work went much further, drawing attention to the universality of power and the powerless. He is one of America's most important post-war artists'